Wednesday, February 19, 2014

Classical Architecture Critique

Jaimee Stevenson
Professor Robert Bomboy
Humanities 101
18 February 2014

Classical Architecture Critique


         The building that I have chosen for my classical architecture critique is the Warehime-Myers Mansion located in Hanover, Pennsylvania. The building was originally built in 1911 to be the residence of Clinton N. Myers, one of the owners of the Hanover Shoe Company. Since then, it has been purchased by William Warehime and been donated to the Hanover Area Historical Society (HAHS, web).
This historic piece of architecture represents an Ionic order style of build. The columns are very tall and slightly narrower than what you would see in a Doric order or Corinthian order style column. What really stands out as being an Ionic order, though, is the style of capital being used here. The capital sits right on top of each column, and for this order the capitals are examples of volutes, or scrolls. I find this to be the most ornamental style of capital and the most pleasant to look at. The swirls above the columns give the building a delicate yet structured look. The bases of these columns are thicker and taller then what one would see in a standard Ionic style. The larger bases give the building a very sturdy appearance and shows off the marble finish nicely.
            In an Ionic style column, there are three foundations that make up the entablature. The entablature is what lays on top of the capitals, and what makes up the roof above the columns. The architrave is the solid platform that lays directly above the swirls, and we can see that this building has modern lights built into it. The frieze is the platform that sits above the architrave which, in this example, shows off the marble that the front of the building is made of. However, in ancient Greek architecture, the frieze would often have designs or pictures engraved into the stone. Lastly, the cornice is the ledge directly above the frieze that supports the roof. The cornice is less structural and more decorative to give the building dimension. (Fiero, 123)
            One of the reasons the Ionic order was chosen for this building is because of the building material used, in this case, marble. The Doric order could have been used, however, the Ionic order portrays a fancier look and finish. The Corinthian order is perhaps the fanciest of the orders and may have been difficult to carve into the marble. Another reason for using the Ionic order is because of the height of the building. The Ionic columns are known for being tall and slender and are best fitted for the mansion (Fiero, 124).
            In today’s society, the mansion conveys a historical message which is the reason the mansion has not been remodeled or torn down. In the time that the mansion was built, the city of Hanover was still being established and was considerably smaller. The original owner of the mansion was a wealthy and corporate individual who owned one of Hanover’s largest companies at the time. His residence was built to represent his stand in society and was meant to look superior and high-standard.  
            The mansion is located directly in the heart of Hanover, and is meant to be seen and admired by locals. My perception of the mansion is that it is an astonishingly beautiful work of architecture. The use of an old-style classical order is not common on modern homes, so seeing a residency with the use of a Classical Greek order would lead me to believe that this is the home of someone important who made a mark in history, in this case the history of my hometown.
            Greek styles are not the only styles that can be seen on the mansion. Roman architecture styles enhance the building’s Greek order columns. The front door of the mansion is based off of a Roman style of build. Rather than using the post and lintel style doorway, the Romans were one of the first to portray the style of arched doorways and vaulted structures. The arched doorway gives the mansion a more contrasted appearance and reflects the Greek style pillars nicely. The two bottom windows are also arched, another example of Roman architectural style that compliments the arched doorway. (Fiero, 153)
            Andrea Palladio designed a piece of architecture named “La Rotonda,” which has many similarities when compared to the Warehime-Myers Mansion. Perhaps the most evident similarity between these two buildings is the use of the Ionic order. Instead of a dome shaped roof, apparent on La Rotonda, the mansion has a large window on the roof that is similar in appearance. Also on the roof of La Rotonda can be seen two vent-like figures. The mansion has two windows similar in shape and in the same location as the vents, which leads me to believe the windows are a modernized accent of what used to be vents. It is evident that La Rotonda is very similar in style to the Warehime-Myers mansion and could have very likely been used as an inspiration for this historic foundation. (La Rotonda, web)
            The Warehime-Myers Mansion is an accurate example of what an Ionic order column looks like, and is accented with Roman features such as the arched doorway. The Builders of the mansion were inspired by similar works of art such as La Rotonda, and many other elegant pieces of architecture. Buildings that utilize ancient styles such as Greek styles or Roman styles are designed to portray superiority and stability. Classical orders can be seen on other buildings of importance such as banks and courthouses, however, there are much fewer residencies that depict the ancient styles. For this reason, the Warehime-Myers Mansion is a delicacy and will remain a part of Hanover’s history that will typify the ancient Greek and Roman cultures.


Works Cited


"Home Page for Hanover Area Historical Society." Home Page for Hanover Area Historical Society. N.p., n.d. Web. 18 Feb. 2014.
"LA ROTONDA." La Rotonda. N.p., n.d. Web. 18 Feb. 2014.
"Historic Landmarks Commission." Historic Landmarks Commission. N.p., n.d. Web. 18 Feb.
            2014.
Fiero, Gloria K. "Chapter Five." The Humanistic Tradition. Boston: McGraw Hill, 2006. 122-25.
            Print.
Fiero, Gloria K. "Chapter Six." The Humanistic Tradition. Boston: McGraw Hill, 2006. 152-54.

            Print.





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